Artist Sjoerd Westbroek presents three short documentaries in which collections function on different levels: as a work of art, as an archive and as a secret. In Marcel Broodthaers: Musée d’art du XVIIe siècle (1969) by Jef Cornelis, we see the museum that Broodthaers composed in his house. It is a museum without art; it is the museum as an institution that is a work of art. Alain Resnais’ Les statues meurent aussi (1953) focuses on the way in which African sculptures lose their meaning once they are displayed outside the context of a cult or ritual, in a European museum. In the short film Une collection particulière (1973) by Walerian Borowczyk, the director shows his collection of erotic pictures and objects, and the camera is complicit in a game of concealment and revelation.